The nature and structure of belief systems is important from the perspective of an informational theorist because beliefs are thought to provide the cognitive foundation of an attitude. In order to change an attitude, then, it is presumably necessary to modify the information on which that attitude rests. It is generally necessary, therefore, to change a person's beliefs, eliminate old beliefs or introduce new beliefs.
Attitudes And Persuasion - Richard Petty and John Cacioppo
Like the novels it adapts, Game of Thrones has a sprawling ensemble cast, which George R.R. Martin estimated to be the largest on television.[6] During the production of the third season, 257 cast names were recorded.[7] The following overview reduces the list of characters in Game of Thrones to those played by the actors credited as part of the main cast.
Sean Bean is Lord Eddard "Ned" Stark, head of the Stark family whose members are involved in most of the series's intertwined plot lines. He and his wife Catelyn (Michelle Fairley) have five children: the eldest, Robb (Richard Madden), the dainty Sansa (Sophie Turner), the tomboy Arya (Maisie Williams), the adventurous Bran (Isaac Hempstead-Wright) and the toddler Rickon (Art Parkinson). The family's outsiders are Ned's bastard son Jon Snow (Kit Harington), and Ned's hostage and ward Theon Greyjoy (Alfie Allen).
Ned's old friend King Robert Baratheon (Mark Addy) shares a loveless marriage with Queen Cersei Lannister (Lena Headey). In defiance of her father, the fabulously wealthy Lord Tywin Lannister (Charles Dance), Cersei has taken her twin, the "Kingslayer" Ser Jaime Lannister (Nikolaj Coster-Waldau) as her secret lover. She loathes her younger brother, the clever dwarf Tyrion (Peter Dinklage), who is attended by his mistress Shae (Sibel Kekilli) and the sellsword Bronn (Jerome Flynn). Cersei's oldest child is Prince Joffrey Baratheon (Jack Gleeson), who is guarded by the scarfaced warrior Sandor "the Hound" Clegane (Rory McCann). The king's "Small Council" of advisors includes the crafty Lord Petyr "Littlefinger" Baelish (Aidan Gillen) and the eunuch spymaster Varys (Conleth Hill).
So exposing classified national security information is an act of criminal evil when done by a whistleblower to expose high-level error or abuse, or to a court trying to assess the legality of the President’s actions. But it is an act of great nobility when done to venerate the President as a strong and tough warrior. That’s the manipulative, propagandistic game-playing this administration exploits with its secrecy powers and whistleblower prosecutions.
When I visited the office of a noted Wall Street gray eminence the day after Paulson accepted the job as treasury secretary, my host said to me, "There’s been a lot of talk about why he did it, and the best explanation I have heard is that he and a lot of the guys he is close to Worry about potential market disruptions that could be big problems if the right guy is not in there with his hand on the tiller. I think he feels like he can really add some value and that he may really be needed? (The mortgage crisis later suggested there may have been some merit to this thesis.)
Meaningless words. In certain kinds of writing,
particularly in art criticism and literary criticism, it is normal
to come across long passages which are almost completely lacking
in meaning.† Words like romantic, plastic, values, human,
dead, sentimental, natural, vitality, as used in art
criticism, are strictly meaningless, in the sense that they not only do not point to any discoverable
object, but are hardly ever expected to do so by the reader. When
one critic writes, "The outstanding feature of Mr. X's work is its
living quality," while another writes, "The immediately striking
thing about Mr. X's work is its peculiar deadness," the reader
accepts this as a simple difference of opinion. If words like black
and white were involved, instead of the jargon words dead
and living, he would see at once that language was being
used in an improper way. 
